Sound that moves people.
The tools are professional-grade. The lecturers are working in the industry. The briefs are real. Whether you’re composing for screen, engineering a record, or researching the history of a genre, you’ll build a body of work from day one.

Four degrees for the people who write it, perform it, produce it, and live it.
Bachelor of Music (Performance)
Develop your voice as a contemporary performer. From technique to artistry, this degree puts you on stage from day one.
Graduates work as Recording and touring artists, session musicians, and private music educators.
View Course : Bachelor of Music (Performance) →
Bachelor of Music (Composition)
Develop the originality and technical range to compose across film, television, video games, and digital media, guided by industry professionals who have scored at the highest levels.
Graduates work as Film and game composers, sound designers, electronic music producers, and songwriters.
View Course : Bachelor of Music (Composition) →
Bachelor of Music (Creative Technology)
Use technology as a creative instrument. From recording theory and sound design to mixing and mastering, this degree builds both technical precision and creative instinct across any genre or format.
Graduates work as Music producers, mix and mastering engineers, sound designers, and live event producers.
View Course : Bachelor of Music (Creative Technology) →
Bachelor of Music (Musicology)
Explore the history, theory, and cultural forces that have shaped music across every era and every corner of the world, and develop the critical thinking to articulate what it reveals.
Graduates work as Music journalists, arts administrators, music educators, and cultural policy consultants.
View Course : Bachelor of Music (Musicology) →Already hold a degree? The Master of Music is built around your own creative vision, with specialisations across performance, composition, music technology, and music business.
Learn more →Future Careers
Three roles our graduates work in, what the industry pays, and which area of study gets you there.

Film & TV Composer
Score original music for film, television, and streaming, working with directors to shape the emotional world of a story from first cut to final mix.

Music Producer
Shape the sound and creative direction of a recording from the first session to the final master, working across genres, artists, and formats in the studio.

Audio Product Engineer
Design, test, and refine the hardware and technology that creators use every day, bridging deep musical knowledge with electronics and acoustic engineering at the product level.
*Salary ranges are indicative only and are not a guarantee of employment or earnings. Film & TV Composer: SalaryExpert & PayScale, 2026; Music Producer: Glassdoor & SEEK, 2026; Audio Product Engineer: SEEK Hardware Engineer salary data, 2026. Actual earnings vary with experience, location and the nature of the work.
Frequently Asked Questions
No. AIM courses don’t have an ATAR requirement. You’ll need to have finished Year 12 or equivalent, or apply as a mature-age or non-school-leaver applicant, and from there it comes down to your audition. If you don’t meet the formal criteria, we still assess applications case by case.
For Composition, Creative Technology, there’s no in-person audition; you submit your portfolio online. You’ll need two contrasting pieces, at least one of which should be an original composition score, recorded composition or arrangement, or audio mix, along with a credit list acknowledging all contributors. There’s also a phone interview with a future student advisor.
Musicology applicants submit a 300–500-word personal statement instead of portfolio pieces. Further details will be provided after you’ve submitted an application.
Performance is focused on you as a musician, developing your instrument or voice through one-on-one lessons, ensemble work, and regular time on stage.
Composition is focused on the music you create for yourself or others, building skills in arranging, orchestration, and writing for film, television, and games, with your work assessed through a portfolio rather than a recital.
If you want to perform, choose Performance. If you want to write and create, choose Composition. If you’re drawn to both, our elective system lets you cross-train across streams, speak to our team and we can help you decide.
Composition covers the full craft of writing music, from harmony and arrangement through to orchestration, film scoring, and game soundtracks.
Creative Technology covers how music gets made and shaped in the studio: producing, recording, mixing, mastering, and sound design.
Composition is for the songwriter, the film scorer, the arranger, anyone who hears music in their head and wants to put it on the page or screen. Creative Technology is for the producer, the engineer, the beatmaker, anyone who wants to build and shape sound from the ground up.
The production suites feature vintage analogue consoles including the SSL 4000 G+ Series, cutting-edge digital control surfaces like the Avid S6, campus-wide Dante networking, and specialised Dolby Atmos and 5.1 Surround Sound mixing. These are industry-standard tools, not scaled-down teaching rigs.
Yes – collaboration projects run across all three years of the degree, asking you to work within or across disciplinary boundaries to design and produce a musical work. In practice, that means Composition students often work with Creative Technology students, and Musicology students bring critical and cultural context to joint projects.
Working professionals, not career academics. Lecturers include engineers and producers who have worked with artists such as Beyoncé, Kylie Minogue, Mick Jagger, and The Libertines, as well as ARIA Award winners with decades of studio experience.
It’s not just music history. The degree spans Western Art Music, Popular Music, Jazz, Screen Music, Game Music, and beyond, and students can also cross into elective streams including Arts Management, Composition, Creative Technology, and Performance. It’s aimed at people who want to understand and articulate what music means and does, and turn that into a career.
Yes, and you can also apply directly to AIM at any time, up to 12 months before your start date. Current Year 12 students can apply for Early Entry and hold a place before exams.
Industry Connections
For over 50 years, AIM has built deep relationships with entertainment industry leaders, creating real opportunities for our students through internships, direct placements, and performance, production, and composer gigs. Our respected staff and successful alumni have forged ties with world-class organisations that give AIM graduates a genuine edge in the music industry.
Why AIM
Industry-Active Faculty
our lecturers are working musicians, producers and industry professionals. They bring this week’s experience into the classroom, not last decade’s.
Direct Industry Access
AIM’s connections with labels, venues, and studios give students direct access to the industry while they’re still studying.
Real Experience, From Day One
Practical, hands-on learning is built into every course from semester one. You don’t just study the industry, you start working in it.
A Network That Lasts
The people you study with become your collaborators, bandmates, and industry contacts. Your AIM network starts on day one and grows for life.
Explore the rest of AIM.
Performance is one part of what happens at AIM. If you’d rather build the track than front it, or work the business side of the industry, start here instead.





